Who was the architect of the summer palace of Peter I. Story. Exterior decoration of the palace

Summer Palace Peter I in St. Petersburg is located in the Summer Garden, which was founded in the early years of the city's foundation. The Summer Garden and the Summer Palace of Peter I are currently under the jurisdiction of the State Russian Museum.

With the start of construction on the left bank of the Neva Admiralty, the construction of residential buildings also began. Peter I chose the section of the Neva bank between the Nameless Erik (Fontanka) and the Mya (Moika) River for his summer residence.
At first, Peter I lived in a wooden house, built in 1903 and completely different from the royal residence. It was this building that was seen in 1710-1711 by the author of “Description of St. Petersburg and Kronshlot”: “Right near the river,” he writes, “the royal residence, that is, a small house in the garden of the Dutch facade, colorfully painted with gilded window frames and lead ornaments ".
Peter called this house his “summer palace,” and then this name was inherited by a new building, built in stone, in which the royal family actually lived in the summer.

After the Moika was connected to the Neva by the Lebyazhy Canal, a small island was formed. In its northern part, in 1710-1714, the Summer Palace was built, which was one of the first stone palaces in St. Petersburg. The author of the project is architect D. Trezzini. The interiors were created under the direction of the German sculptor and architect Andreas Schlüter. Russian artists A. Zakharov, I. Zavarzin and F. Matveev participated in the decoration of the rooms.

According to legend, the tsar ordered the construction of the house so that the building would symbolize the new policy of Russia. Then D. Trezzini positioned the residence building so that six of its twelve windows looked east, and the other six looked strictly west. “So our Russia is equally facing both the West and the East,” explained the architect, and the tsar approved this expression of his ideas.

The two-story brick building of the Summer Palace in the Baroque style with a hipped iron roof is crowned with a copper weather vane in the form of St. George slaying a serpent with a spear. At the corners of the roof there are gutters in the form of winged dragons, made of slotted iron.
The entrance of the palace is framed by a portal made of black marble, above which is a bas-relief depicting Minerva with war trophies. The main decoration of the facades of the palace of Peter I are 28 bas-reliefs, made using a rare technique of hand-painting, located in frames between the windows of the first and second floors. The theme of the images is the glorification of Russian sea power. Perhaps the sketches of these compositions were proposed by the German sculptor and architect A. Schlüter, who used engravings of European masters depicting sea creatures.

The theme of triumph in the decoration of the palace's facade allows us to consider it the first monument to Russia's victories in the Northern War. The scenes presented on the bas-reliefs are mythological, but the meaning contained in them is divorced from the context of the myths and becomes understandable only in connection with the main events in the life of Russia and Peter I himself - the struggle with Sweden for access to the sea. The subjects of the bas-reliefs were undoubtedly chosen by the sovereign, and it is no coincidence that some of them coincide with the subjects of ship carvings ("The Triumph of Neptune and Amphitrite", "Perseus defeating Medusa", "Cupids on Dolphins", "Cupids on Hippocampi"). The interpretation of these allegories can be found in printed descriptions of the triumphal gates erected on the occasion of victories over the Swedes, where Neptune and Amphitrite are the personification of the maritime glory of Russia and a symbol of its growth, Peter himself is represented in the images of ancient deities and heroes (Mars, Hercules, Perseus), and the king's opponent, the Svei state, is called "hydra, chimera, cunning serpent."

The palace is small (which is commensurate with the tastes of Peter I): 26.5 x 15.5 m; height of two floors - 8.1 m; height to the roof ridge - 13.3 m; the height of the rooms is 3.3 m. The layout of both floors is the same. The tsar's chambers were on the first floor, and his wife Catherine and children were on the second floor.

The palace was intended only for living in the warm season (from May to October), which is why it has thin walls and single frames. The palace has only 14 rooms, two kitchens, two internal corridors. The arrangement of the rooms is enfilade, and the service rooms communicate with the internal corridor, which eliminated the need for servants to appear in the front rooms. The service corridor opens onto: a) Dressing room (original pine wardrobes for storing clothes have been preserved - they are attached to the walls with special forged hooks); b) Denshchitskaya (1st floor); Freylinskaya (2nd floor); c) cookhouses, toilets, furnace openings; d) a service spiral staircase hidden behind an oak carved structure resembling a wardrobe (made in accordance with Peter's instructions dated May 2, 1714). The outer door from the corridor opened onto the front Neva gallery.

The location of the palace on the peninsula was used to install a flow-through sewer system. The idea of ​​the architect J.B. Leblond, at that time - the last word technology, Peter was very fascinated. A sewer tunnel was laid under the foundation of the building, connecting the Neva with the Havanese, through which water circulated. Six palace toilets were connected to the tunnel using wooden boxes (the flow-through sewerage system operated only until 1777, since the Havanese was filled up after the flood).

According to the project of Zh.B. Leblon equipped the lower kitchen of the Summer Palace - a hearth, cutting tables, pantries and a sink with running water appeared here. “What is of great convenience and what one can only dream of,” wrote Leblond, “is to have running water by running pipes with water from a nearby source.” Water was supplied to the palace from a fountain system Summer Garden, was pumped into a lead tank in the attic, from where it flowed through pipes to the cookhouse.

A unique description of the interiors of the Summer Palace, left by an unknown author in 1720, has been preserved: “... a palace, very beautifully decorated with various Chinese upholstery. In three rooms there were velvet beds with wide braiding that matched the entire decoration. There were many mirrors, many decorations, marble floor "Adjacent to the rooms is a kitchen, the walls of which are covered with upholstery, like rooms in other palaces. It contained pumps, utility rooms, cabinets for silver and pewter utensils. One of the rooms opposite was filled with turning and metalwork tools..."

In Peter's Palace, doors, wall panels, and stairs are made of oak. The exceptions are two offices - Green (on the 2nd floor) and Personal Area Peter's (on the 1st floor), where the doors and wall panels are trimmed with walnut (this refers to the room previously called by researchers the Turning Room - the lathes of Peter I, which are now kept in the State Hermitage, were demonstrated here). The rooms adjacent to the Study are the dining room and the king's bedroom. On the panel of the door leading to the bedroom is an image of Golgotha ​​(presumably the work of Peter I). The emperor's office and kitchen are decorated with unique Dutch tiles, and the fireplaces are decorated with stucco bas-reliefs. The lampshades of the office are beautifully painted (master G. Gzel).

There is a unique wind device in the Cabinet. The carved frame, whose carvings are made on the theme of maritime symbols, contains three disks with a scale: the upper one is a clock with hands (hour, minute and second), the lower disks are “wind decrees” connected to a weather vane on the roof of the palace. A device with “wind instructions” is a navigation device that allows you to determine the strength and direction of the wind in the Baltic region. It was ordered by Peter I to the Dresden masters Dinglinger and Gaertner in 1713. In 1714, the wind device was brought to St. Petersburg and installed in a place chosen by Peter himself - in his Office. A weather vane in the form of the figure of St. George the Victorious, installed on the roof, sets the mechanism of this device in motion.


The decoration of the Green Office on the top floor is well preserved. This is one of the first examples of interior decoration in the spirit of the new French fashion, brought to Russia by the architect J.B. Leblon, which involved decorating the walls with panels with decorative paintings, mirrors, and desudéportes. In this office, in the closets, the doors of which are still glazed with squares of “lunar” glass from the early 18th century, objects from Peter’s first Kunstkamera were placed.

After the death of Peter I and Catherine I, almost no one lived in their house. At one time, meetings of the Supreme Privy Council were held there, and later the imperial courtiers came here to relax.

The appearance of the palace has hardly changed over three centuries. This is explained by the fact that even during the life of the emperor, new summer chambers were built near the Swan Canal. After the construction of the large Summer Palace of Elizabeth Petrovna on the banks of the Moika (on the site of the current Mikhailovsky Castle), the old palace of Peter I was abandoned. This saved him from alterations and preserved him original appearance. The Green Office, the dining room and the premises in which Catherine I’s ladies-in-waiting lived were preserved in their original form. The personal belongings of Peter and Catherine remained, which later became the main exhibits of the museum.
The fact that the palace has survived to this day without significant changes is confirmed by both the historical plans of the Summer Garden of the first half of the 18th century and the recording drawings of M.G. Zemtsov 1727.

The Summer Palace is not only one of the first stone buildings in St. Petersburg, from which the city “began,” but also a unique example of the architectural creativity of its founder, which reflected the unique personality of Peter I.

At the beginning of the 19th century, the Summer Palace served as a summer residence for senior government officials. The museum history of the building begins in 1903, when, for the 200th anniversary of St. Petersburg, an exhibition dedicated to Peter I was opened within its walls.

After 1917, the palace was preserved as a historical and architectural monument. In 1934, a historical and artistic memorial museum was opened in the Summer Palace of Peter I. Currently, the exhibition of the Summer Palace includes personal belongings of Peter the Great and Catherine I, as well as furniture, paintings, tapestries, glass and porcelain items from the Peter the Great era.

Materials used from the site www.rusmuseum.ru

The Summer Palace of Peter I is one of the most interesting attractions of Northern Palmyra, with more than 300 years of history. At the time the city was founded, this was the name of the small wooden house in which the emperor lived. Later, this name was transferred to the building located between the Fontanka and Moika rivers on Admiralty Island. The Summer Palace is the pioneer of stone buildings in the city. Famous European architects D. Trezzini and German sculptor Andreas Schlüter participated in its creation.

The Tsar ordered the building to be built in such a way that it would clearly symbolize Russia’s readiness for effective cooperation with both the East and Western countries. To implement this kind of idea, six windows of the house faced the West, and six others faced the East, showing Russia’s respect for the interests of the countries of both parts of the world.

The building of the Summer Palace is not distinguished by defiant luxury - it is strict, with a hipped roof, built in the exact proportions of the Baroque style. It symbolizes the opportunity for relaxation and work, rather than the setting for luxurious balls and social receptions. By the way, it was in the Summer Palace that the first sewer system in the city was launched, whose driving system was the Fontanka River.

Exterior decoration of the palace

The friezes of the facades, which externally separate the floors from each other, are beautifully decorated with bas-reliefs telling about Russia’s successes in the military field. In the image of the ancient Greek hero Perseus, we can recognize Peter I himself. The bas-relief above the main entrance from the garden depicts the Greek goddess of wisdom, patroness of sciences and crafts, Athena ( Rome.- Minerva) surrounded by all kinds of banners and trophies.

Interior

The interior is such that there are seven rooms on all floors. On the first floor there were the king's chambers, a reception room, his study, a room for an orderly, an Assembly room (a large room, a second reception room), a dressing room, a cookroom and a kitchen. As you know, Peter mastered 14 crafts and loved to work in a lathe, which was also equipped in the palace on the first floor. On the second floor there were the chambers of the emperor's wife and children, a dining room, and a dressing room. The Green Room, which has retained its appearance to this day, is of great interest. It is decorated with gilded pilasters, wooden carvings and other unique bas-reliefs and sculptures.

After the death of the emperor, the Supreme Privy Council of Catherine I began to meet in the palace, which discussed all decrees. After the short years of her reign, the building was abandoned and did not participate in the reconstruction of the city. Perhaps that is why we can now admire the true interiors of the 18th century. In 1934, a historical and art museum opened in the building. After the Great Patriotic War, the building, damaged by bombing, was rebuilt. Now the emperor's residence, together with the Summer Garden, is part of the exhibition of the Russian Museum.

St. Petersburg is rich in attractions. The Summer Palace is located in the heart of the city. Therefore, you can take a tour to the Russian Museum located nearby, take a walk along the Champ de Mars, Mikhailovsky and Summer Gardens, or just stand on the Palace Embankment. Especially in summer, during the white nights, it is never boring here.

How to get there:

The nearest metro stations are Nevsky Prospekt, Gostiny Dvor and Chernyshevskaya. Stop closest to the attraction ground transport– “Summer Garden” on the Lebyazhya Kanavka embankment. You can get there by buses 46 and 49, by tram number 3 and minibus №76.

The city that is rightfully considered the cultural capital of Russia is St. Petersburg. Having visited it once, you want to come back again and again. Every corner of it, every centimeter is soaked centuries-old history Russian Empire. Streets, squares, gardens, parks, bridges, museums and architectural monuments create a unique atmosphere in this city. Anyone who comes to St. Petersburg will be able to feel the unique harmony of excellent settlement. The sights of St. Petersburg never cease to amaze its guests. Particularly popular among tourists is the main pearl of which is the palace of Peter I, on which we will focus our attention.

The history of the first Summer Palace

After construction of the Admiralty began on the left bank of the Neva, residential buildings began to appear house after house. Peter I also chose a site for his residence - the territory on the coast of the Neva between the Mya (Maika) river and the Nameless Erik (Fontanka). The first Summer Palace was a small wooden structure. The plastered and painted structure did not stand out in any way among the other buildings located in the neighborhood, and bore little resemblance to the royal residence.

Symbol of the new policy of Russia

The victory near Poltava in 1709 meant a turning point in the Northern War in favor of the Russian army. The hasty construction of numerous stone buildings began in St. Petersburg. During this period, the Lebyazhy Canal was built, which connected the Moika to the Neva. As a result, a small island formed between the rivers. It was on this piece of land that Peter I decided to build a stone palace. By order of the tsar, a project was created that symbolizes the new political direction of Russia. The architect of the Summer Palace, Trezzini, proposed to position the building of the future royal residence in such a way that the same number of windows faced both the west and the east. Peter I approved this idea, and on August 18, 1710, construction of the palace began, which was completed in April 1712.

Summer house

An amazing feature of this structure was that during its construction the city's first sewer system was built. Water was supplied to the house using pumps, and the drain went into the Fontanka. Since the Summer Palace was surrounded on three sides by water, driving force was the flow of the river itself. However, after the flood that occurred in 1777, the small Gavanets Bay, located in front of the house, had to be filled up. This caused the first sewerage system to cease to function.

First floor of the palace

The Tsar moved to the Summer Palace, the photo of which is presented below, with his entire family immediately after construction was completed and lived in it from spring until late autumn. It occupied six rooms located on the ground floor, including a bedroom with a fireplace. Nearby there was a reception room where various meetings were held and important matters were decided. The king's favorite room was a lathe with a machine, where the emperor free time mastered the craft of a carpenter. He spared no effort for his work and was proud of the fact that he had calluses on his hands.

Second floor of the palace

The Summer Palace of Peter I also had a second floor, to which a massive oak staircase led. There were six rooms here, which housed the queen with her ladies-in-waiting and children. The interior of the second floor was significantly different from the first, as there was a huge number of mirrors and paintings. Next to the bedroom of Catherine I there was a beautifully decorated throne room in which the queen decided her affairs. The Green Cabinet surprised visitors with its magnificent gilded decoration, numerous ivory and wood figurines, and amazingly beautiful Chinese frescoes. A special room was allocated for parties and dances.

Summer garden

A magnificent garden was laid out near the palace in 1720, which resembled a huge park. Beautiful alleys stretch across the entire garden. They share an area with beautifully trimmed trees and shrubs. Sculptures symbolizing Russia were installed throughout the territory. In addition, in the garden there were many marble busts, the creation of which was carried out by the best Italian craftsmen. Particular attention was paid to the construction of fountains, which served as decoration for the palace grounds. Due to the fact that the Summer Palace was surrounded by water on three sides, special boats were offered to guests for walks.

Historical memo

The Tsar loved the Summer Palace very much. This is where he spent last days own life. In 1725, in the lobby of the palace, Peter I was attacked by one of the schismatics, which ended in death. After the death of the Tsar, Catherine I never lived in the residence. For some time, meetings were held here, but eventually the palace became a resting place for the imperial courtiers.

Everything beautiful is forever

After three centuries, the Summer Palace in St. Petersburg has undergone virtually no changes. Time has not made any adjustments to the exterior decoration of the palace. Not only the austere appearance of the building, built in the Baroque style, has been preserved to this day, but also the summer frieze under the roof, consisting of twenty-nine bas-reliefs that separate the floors. Under the high hipped roof, gutters built in the shape of winged dragons have been preserved, and on it there is a weather vane in the form of St. George the Victorious, showing. In addition to the external appearance, the main part of the interior decoration has been preserved: artistic carvings on the walls, painted ceilings and tiled stoves. The Green Study, the dining room and those rooms in which the royal ladies-in-waiting resided have practically the same appearance.

Tour of the Summer Palace

Today this palace is rightfully included in the “Best Sights of St. Petersburg” section. Thousands of tourists strive to visit it. What can you see in the palace?

The main decoration of the lobby is a large panel - a bas-relief of Minerva, carved from wood. It is impossible not to pay attention to the door, the trim on which is made of black marble. It leads to a room that was once the king's reception room. The next room is intended for orderlies; it is not of particular interest. Next is the Assembly Room (Second Reception Room), the main decoration of which is the “Triumph of Russia” lampshade. And between the windows there is an Admiralty chair, which previously belonged to Peter I. Behind the second reception room there is narrow room, which once served as the king’s dressing room.

Continuing to explore the Summer Palace, let's move on to the next room - the emperor's office, where some of the king's personal belongings have been preserved. Thus, of interest is a gift from the English King George I - ship's furniture. In the corner there is an oak cabinet with beautiful carvings. In the center there is a huge table and a work chair. A door leads from the office to the royal bedroom. What attracts attention here is the lampshade, which depicts the god of sleep Morpheus holding poppy heads in his hands. Looking at it, determining the purpose of the room is not difficult. In the bedroom there is a beautiful fireplace, in which, according to legend, the royal court jester Balakirev hid.

On the second floor, the most interesting will be the Green Office, which has retained all its decoration in its original form, which has already been described. There is a fireplace in the corner with sculptures of cupids on it. Moving into the dance room, you will find yourself in a world of mirrors. The large mirror in a walnut frame with unique carvings deserves special attention. In the children's room you can see a lampshade depicting a stork holding a snake in its beak, which symbolized the glorious reign of the heir and the death of enemies. Finally, you need to go to Catherine’s throne room, where her throne still stands.

The palace still has a cozy, homely atmosphere that attracts many tourists. People come here not only to see this landmark of St. Petersburg and get acquainted with history. Many people want to understand exactly how the emperor lived and what surrounded him.

Where is the Summer Palace and how to get to it

The palace is located at the address: Summer Garden, building 3. To get to this place, you need to get to the Gostiny Dvor metro station. After this Sadovaya Street walk to the Lebyazhya Canal embankment. It is necessary to move towards reducing the numbering of houses. The entrance to the Summer Garden is located near the embankment.

D. Trezzini. Summer Palace of Peter I. 1710–1712

The Summer Palace of Peter I is located at the confluence of the Bolshaya Neva and the Fontanka. At the beginning of the 18th century. was surrounded by water on three sides, as it also had a small harbor (“havanets”) for small ships on the southern façade. The two-story brick building with a hipped iron roof is crowned with a copper weather vane in the form of St. George slaying a serpent with a spear. At the corners of the roof there are gutters in the shape of winged dragons, made of slotted iron. Finishing work in which A. Schlüter took part (until 1714). G.I. Mattarnovi, I.F. Braunstein and others continued until the mid-1720s.

The entrance is framed by a black marble portal, above which is a bas-relief depicting Minerva with war trophies. The main decoration of the facades of the palace of Peter I are 28 bas-reliefs, made in a rare technique of hand-painting, located in frames between the windows of the first and second floors. The theme of the images is the glorification of Russia's sea power. Like any housing that suits the tastes of Peter I, his palace is small: 26.5 x 15.5 m; height of two floors – 8.1 m; height to the roof ridge – 13.3 m; the height of the rooms is 3.3 m. The layout of both floors is the same. The first floor was occupied by Peter I himself, the second by his wife Catherine. The palace was intended only for summer residence (from May to October), so it has thin walls and single frames. The palace has only 14 rooms, two kitchens, two internal corridors. The arrangement of the rooms is enfilade, and the service premises communicate with the internal corridor.

"August. On the 18th day in St. Petersburg, at His Majesty’s Summer Court, they began to beat piles under the stone building.”. Marching journal 1710

In the interiors of the palace, decorative techniques that were new for Russia were used - decoration with tiled panels, wooden cladding with elements of the order system, carved panels, monumental and decorative subject and ornamental painting, and modeling. Seven rooms of the Summer Palace retained ceiling lamps with multi-figure compositions executed by G. Gsell and his Russian students using the technique of oil painting, previously almost unknown in Russia.

The green cabinet of the palace is interesting as a rare ensemble of decoration of the front room that has come down to us, giving an idea of ​​the style of “Petrine Baroque” in the interior: the cabinet has walls decorated with wood, painted light green, and picturesque inserts, panels, desudéportes. The painting on wood is done in oil using the grisaille technique. It is known that during these years the artists G. Adolsky, O. Kulagin, M. Vorovsky, A. Zakharov, and the carver I. Petrov worked in the palace. Glass cabinets for a collection of rarities are built into the wooden wall paneling, which marked the beginning of museum collecting in Russia.

Address: Palace Embankment

Opening hours: from 10..0 to 18.00

Among the palace buildings of St. Petersburg Peter's era the beginning of the 18th century, the Summer Palace of Peter the Great occupies a worthy place. Its uniqueness lies in the fact that it has survived to this day practically in the state of the original source, the same as it was under Peter. And where, if not in this palace, can you touch time? Petra, to his personality, which is expressed in the modesty of the household environment, in household items and in interiors.

The palace has been preserved in an unaltered form due to the fact that no one lived in it after Peter and Catherine the First. Each new empress, and there were several after Peter, built her own individual housing. The premises in the Summer Palace are especially well preserved Green office, dining room and maid of honor's quarters. The main exhibits of the museum were the surviving personal belongings of Peter the Great and his wife.

History of the palace

It must be said that Peter the Great began the development of the island part of the future St. Petersburg on the opposite Peter and Paul Fortress shore from the construction of the Admiralty fortress-shipyard and from the creation of a clearing road to the Novgorod tract (future Nevsky Prospekt). In parallel with these important tasks for the future of the city, Peter is developing the idea of ​​​​creating a Summer Garden at the junction of the Fontanka and the Neva, envisioning creating a beautiful garden-park like the famous Versailles.

The rather modest Summer Palace of the Emperor is also being built here. After all, being close to the park being created, it was easier for Peter to control the gardening work, and living in the gardening area in the summer and at the same time being within the city was quite practical and comfortable.

Built a two-story palace for Peter the Great D. Trezzini. Like all existing buildings of that period, the Summer Palace was built in the style Peter's Baroque. Judging by the austere appearance of the building, it is immediately clear that the palace was created not for ceremonial receptions, but for the private residence of the imperial couple. The building has clear proportions, many windows and a hipped roof. The ground floor has sunk into the ground over time, which is why the palace seems low.

Facades of the Summer Palace

The facade of the palace is decorated with allegorical images Northern War scenes, which was still ongoing at that time. On two sides the palace faces the Neva and Fontanka, and on the third it was equipped Havanese- an artificial reservoir for small galleys.

This palace was immediately intended for summer residence emperor, so it was not insulated enough. Peter lived here with his wife Ekaterina since 1712 annually from May to October. The fact that Peter did not build himself a new city summer residence suggests that he was quite comfortable in this small palace.

Interior of the palace

Due to purely family living, there are no state rooms for balls and receptions in the palace and there are 7 small living rooms on each of the two floors. Peter himself occupied the first floor, his wife’s chambers were on the second, warmer floor. In total, the palace had 14 rooms and 2 kitchens (cooks).

Catherine the Great's bedroom

Lobby decorated with carved oak panels, which are divided by pilasters. First floor Peter was equipped with a reception room, a punishment cell for those punished for offenses, a large assembly, Peter's bedroom, a kitchen, a dining room and a dressing room. Here as in Winter Palace Peter the Great has a lathe, which the emperor loved to work on in his free time.

Dining room of the Summer Palace

Second floor, allocated to Catherine and her children, was divided into a dressing room, kitchen, bedroom, nursery, room for ladies-in-waiting, dance and throne rooms. Of all the rooms, the one that stands out the most is Green office, decorated with painting inserts and stucco and gilded decorations.

Green office of Peter the Great

All rooms of the palace with restored interior design preserve the atmosphere of family comfort that reigned in the Summer Palace. Peter himself, his wife, and their children walked here. Here Peter the Great conducted family conversations; here one could escape from imperial affairs and feel like just the father of a family.

Ground floor interior

In some palace rooms, interior details from the time of Peter the Great have miraculously survived. These include tiles Dutch tiles that line the walls of the cook's premises, picturesque lampshades artist G. Gzella, carved panel and the Green Study's stucco fireplace. In the Office on the first floor there is Peter’s personal device, showing the time of day, wind strength and its direction - the so-called Wind device. Interestingly, Peter's Summer Palace was the first city building with a functioning system sewer, which worked under the powerful driving force of the Fontanka.

Peter's Summer Palace is one of the oldest buildings Petersburg and a unique monument of Russian history and culture. It is interesting that already under Alexander the First, Peter’s Palace was open to public inspection. And in 1840, a partial restoration and systematization of existing historical values ​​was carried out.

During the Great Patriotic War, the palace building was severely damaged, especially the roof and window frames. Immediately after the war, repairs to the palace began, which grew into large-scale restoration.

Today the Summer Palace is a branch Russian Museum and is open to numerous tourists Northern capital. The museum is open all days except Tuesday, from 10.00 to 18.00.